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Rebecca Recco's avatar

I learned color from my favorite professor in undergrad, Stan Sporny, who made me mad by forbidding black paint in the studio. (I tried to sneak some in but he could totally tell in my painting). Instead we used colors like ultramarine blue and burnt umber to make “black” which we could balance out warmer and cooler to get more realistic darks. That forced me to really see color in everything because I couldn’t just rely on the same black paint to darken colors and create shadows.

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Alison Stein's avatar

I also use a syringe to fill my pens, best method! My variation is filling waterbrushes — the kind intended for watercolor — with ink. They hold more ink than a cartridge, and come in a variety of brush sizes. I also had that greyed-out ink problem — I found that Noodler’s X-Feather Black, with just a tiny bit of water, is as black as the Pilot.

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