Here are 10 other things I thought were worth sharing this week:
So much of my reading and thinking lately has been about intelligence that is rooted in the body, so I enjoyed this bit from William Burroughs on how to have an out-of-the-body experience.
For the past month or so, I’ve found a weekly review to be helpful for keeping track of where I’ve been and what I want to do next. Some things I might add based on your helpful comments: a big envelope marked INBOX for things I need to sort through later and swiping through the photos on my phone.
A lesson from Inside Taco Bell’s Innovation Kitchen: “You can change either the taste or the form… but you can’t change the taste and the form.” (From The Onion: “Taco Bell’s Five Ingredients Combined in Totally New Way.”)
Kurt Cobain’s spiral notebooks, from Jillian Hess’s very cool Noted newsletter. Also Leonard Cohen’s notebooks. (And I know I won’t shut up about Charles Portis, but this look at his notes and papers is terrific.)
Music: This Tiny Desk concert with the Bill Orcutt Guitar Quartet seems like an instant classic. An interview with ambient musician Tim Hecker. Hanif Abdurraqib on what Little Richard deserved and the new documentary about him, I Am Everything. (Watch him live in Paris in 1966.) Willie Nelson’s amazing grace. (He’s about to celebrate his 90th birthday! KUTX has wall-to-wall Willie all weekend.) RIP singer, actor, and activist Harry Belafonte. (“That’s only the top.”)
Space Elevator! (My son and I had fun scrolling through all of Neal.Fun’s projects.)
The joy of rolling on the streets of Austin.
“We must live life forward and attempt to make sense of it backward. So we fail in both directions.”
Our owlets are getting their feathers!
People like seeing the strings attached.
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xoxo,
Austin
Re: Seeing the strings attached...
As a designer when proposing logos I quite show my process from the initial idea to the final logo and more than once a client has chosen a version of a logo two or three stages before the polished/final version.
We all look at design (or a creative process) from a different perspective and no one can really claim that their opinion is 100% correct. That’s what I love about the human brain (especially when compared with AI and machine perfection) - there is always something nice about small imperfections!
Give me a ‘real’ drummer all day long rather than a monotonous drum machine with no feel or touch - the music feels so much more alive and so should we...
#showmethestrings
Austin - I don't know if James Hannaham means "so" in the sense of "Thus" we fail... , or "In order that we" fail. The two different interpretations yield very different meanings to me. I'm not familiar with his work. On interpretation says it's inevitable that we fail (could be bad or good) and one says it's good that we fail.